The funeral blues are a piece of poetry by the English poet W. H. Auden, which first appeared in his 1936 play The Ascent of F6. The poem was substantially revised for the singer Hedli Anderson, and Benjamin Britten set it to music. In this essay, we will discuss the poem’s structure, themes, and meter.
Essay on “Funeral Blues” by Wystan Hugh Auden
Essay on Funeral Blues by Wystan Hugh Auden is a poem by the English poet Wystan Hugh Auden. It is a lyric poem about the loss of a loved one. It combines traditional and nontraditional elements. Its somber tone and irregular rhythmic pattern represent the speaker’s attempts to return order after experiencing loss.
This poem is a deeply personal expression of grief. It is written by a homosexual man, Wystan Hugh Auden, for his friend Christopher Isherwood, who died of prostate cancer. The two had met while studying, and the poet later wrote this piece to commemorate him. The poem has a moody, dark feel to it, and it explores the complexities of love and loss.
The poem also contains clever word choice. In the first line, Auden invokes the image of an airplane, stating that “the noise was like a moaning.” The word “moaning” is an image associated with death and mourning.
Analysis of beach’s funeral stanzas
The title ‘Beach Burial’ is an oxymoron. The beach is associated with happiness is not a common concept when it comes to death, so it’s surprising that Slessor chooses to use it for the poem. However, it does intrigue the reader, as it forces them to wonder what Slessor is getting at by using such a subdued title. This subdued title is one of the many techniques Slessor uses to get the reader to explore the poem’s meaning.
The poem’s meter is not strictly regulated by a rhyme scheme, but Slessor pays attention to the metrical sound of each line. In the first stanza, for example, the first line is stressed four times, while the second and third lines are stressed six times. In addition, the poet uses different line lengths, giving the poem a sense of variation.
Slessor emphasizes the reality of war, particularly the pain and suffering it causes for young soldiers. The opening lines of “Beach Burial” use gentle verbs, and Slessor also focuses on how death has no limits. In addition, the poem’s rhythm mimics the motion of dead sailors.
Poem’s iambic pentameter
This poem was written in the late 1930s, a time of severe economic downturn. Millions of people were struggling to find jobs and feed their families. Key European countries were ruled by fascist governments and vast parts of the world were under the influence of imperialism.
The tone of the poem is ominous. The speaker wants everything to stop, from the clocks to the telephones. He wants the dog to stop barking, and even wants to silence pianos. He wants all aspects of life to stop, and is mocking death. The speaker uses terms that have to do with mourning and death, including “crepe bows.”
Despite the grim subject matter, the poet’s meter is unsteady. Unlike a poem in a traditional metrical form, the poem contains many lines with stressed syllables. The meter, in addition to being unpredictable, emphasizes the speaker’s grief.
Themes in the poem
The funeral blues poem, like many works of poetry, explores themes of isolation and grief. Its lyrical style allows the reader to feel the writer’s emotions. The poem also explores death and the effects of escapism. Themes in the funeral blues poem vary depending on the poet’s style and intent.
One of the most obvious themes in ‘Funeral Blues’ is the death of a loved one. The term ‘blue’ itself refers to a gloomy mood, often accompanied by a sluggish, mournful musical work. In this poem, the speaker cries out for the world to acknowledge his or her loss.
Other themes that are evident in ‘Funeral Blues’ include the narrator’s desire to block personal communication from the outside world. This is often a sign of hopelessness. In the poem, he even urges the world to cease celebrating and join him in his mourning.