The Love Song of J Alfred Prufrock

The Love Song of J. Alfred Prufrock

The Love Song of J. Alfred Prufrock is filled with literary allusions and makes frequent references to other authors. Its epigraph, for example, is taken from Canto 27 of Dante's Inferno. The character Guido da Montefeltro, which appears in Dante's Inferno, promises to tell the speaker of the poem, or in Prufrock's case, the reader, about his sins. In addition to its allusions, Prufrock uses literary allusions to emphasize themes, such as Prufrock's isolation in the hellish modern urban landscape.

The structure of the novel is complex. The characters have very overlapping personalities and the novel alternates between gloomy, urban scenes and more abstract, oceanic images. This creates a sense of dislocation, a feeling of emptiness and anguish. This can be interpreted as Prufrock's desire to sabotage the universe. The reader will notice that Prufrock is a nervous, apprehensive character who does not trust anyone or anything. His identity is not entirely clear and he is uncertain of himself.

The poem contains many references to older poets and poetic forms. Eliot's references to the Bible and Dante are particularly impressive. The first line of the poem begins with an epigraph from Dante's Inferno, and his references to Shakespeare and Dante are clear. But these references do not necessarily mean that the poems are related, and many readers may disagree.

Free verse

One interesting feature of Prufrock's free verse is that it is composed of alternating lines of the same metric length. His meter, pentameter, is the standard English metric. However, there are lines of every metrical length, which capture the ever-changing flow of Prufrock's thoughts. It is an interesting way to show the poet's empathetic approach to poetry.

Free verse was first popularized by the Modernist movement led by poet Ezra Pound. He cited Walt Whitman as an inspiration, and broke free verse's limitations in terms of rhythm, sound, and form. This style was later adopted by T.S. Eliot, one of his most famous works. However, free verse had to evolve in order to remain relevant in modern times.


In "The Love Song of J. Alfred Prufrock," Michelangelo is mentioned several times. A Renaissance man, he is most associated with the statue of David. In the poem, however, Prufrock talks with his reflection before going to a party. He worries about being rejected. He says that he is not ready for love yet. In the poem, Michelangelo is also mentioned as an artist.

Similarly, the use of Michelangelo in the poem is controversial. Critics argue that the reference to the artist is misogynistic, and that the poem's use of the artist intimidates Prufrock. Yet, the poem does not comment on this aspect of its language, and it repeats the refrain later in the poem. It is interesting to note that Eliot used a famous figure to create a more complex and meaningful scene.


The love-making process is a difficult one, and Prufrock's fear of proposing marriage makes it even harder. In the story, he discusses his lack of courage and cowardice, and explains how he fears that a woman will be repelled by his lack of courage and cowardice. This lack of courage is an important part of the story because it shows how a man's fear of commitment is the cause of his failures.

The "Prufrock" epigraph is especially jarring because it obscures the poet's concerns about expressive language. It is the most jarring part of the poem, and it serves to rob it of its vitality. The speaker describes the fog as yellow, reflecting the electric lights from lamps. It also symbolizes the pollution and technology that characterize modern life. As the poem ends, Prufrock's words and image are no longer what they were in the past.

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