Modernism in art
Modernism in art can be described as the succession of art movements with regard to ideas and interpretations; sculptors, performers, painters, and photographers individually and collectively sought new approaches to art making. Essentially, it is a societal and cultural global movement, which began in the early 20th century where artists used new imagery, techniques, and materials to create artwork. For instance, Armored Train, which was created by Severini encompasses futurism, which was exceptionally vehement in its denunciation of the past and its mandate to blend art and life. Essentially, modern art aimed at establishing a new alignment with values and experiences of modern industrial life; as such, the new form of art reflected the hopes and realities of modern societies. Arguably, there are different styles that are encompassed in modern art where there is a guiding principle. As such, modern art is built on a rejection of history as well as conservative values; additionally, it embraces experimentation and innovation.
Focus on processes, techniques, and materials
It is important to acknowledge that modernism focuses on processes, techniques, and materials, with a tendency to abstraction when creating art. Moreover, it emphasizes on aspects such as energy, speed, power, and dynamism as illustrated in the Armored Train by Severini's modern art. While traditional art focuses on what is in the world, modern art works as a process of representation from diverse concepts of the world at large. As such, it is about the learned appreciation for a specific kind of art; a modern artist should therefore concentrate on pushing boundaries in efforts to produce excellent at work. A good modern artist believes art should represent modern life, particularly scenes of daily life (Frascina, Harrison, & Paul, 1982). Therefore, they will reject historical and mythological subjects and pay more attention to modern aspects. Consequently, they will embrace bold color, a sense of nostalgia, and creativity in their artwork.
References
Frascina, F., Harrison, C., & Paul, D. (Eds.). (1982). Modern art and Modernism: a critical
anthology. Sage.
