The Social Network
The Social Network has its protagonist a character depicted as a high-achieving individual who carries within him the seeds of his own destruction.
Mark Zuckerberg and the Social Network Phenomenon
Mark Zuckerberg (Jesse Eisenberg), the individual behind the social network phenomenon is the main character of the film. Jesse exhibits task-oriented trait given that he cares little about money who became the world's youngest billionaire even though he lost his true friend. Through leader elimination, the film manages to portray and present the complexities and interests of human personality in an elaborate and ordinary manner.
The Idea and Innovation behind Facebook
David Fincher, the director of the film, comes up with the idea of the movie given the expert power attributes of Mark Zuckerberg who designed Facebook. The innovation created by Jesse in the film fills in the gap for the need for solution acceptance leading to productive conflict. Fincher and Sorkin are maybe not the most evident match to handle the tale of Zuckerberg's ascent to Internet command because of goal setting and clarifying. However, the discussion about conclusive clubs in a bar where Zuckerberg makes a trip back to his Kirkland House apartment it turns out to be certain that there is a perfect inventive association which demonstrates on task difficulty.
The Monopolizing Character of Mark Zuckerberg
The film depicts Mark Zuckerberg as monopolizer who is progressively turning out to be powerful. He appears not to follow anyone's rules or listen to anyone. He makes his own decision and does not care if it is wrong or right. He can be described to being an aggressor. In The Social Network, three individuals are seen to work to get money, however, their inspirations overwhelm the need for money. At some point, the three friends experience expeditor problems due to problems with task group roles resulting in negative group roles. The inspirations: feeling (Saverin), business (Narendra), blue-blooded respect (the Winklevosses), distrustfulness (Parker). In any case, what characterizes Fincher's heading in The Social Network is a loyalty to the letter of the content. It takes a specific amusing separation to compose a dramatization out of the establishing of Facebook; that equivalent unexpected separation appears to be unimaginable originating from a chief who shoots a film that comprises for the most part of young fellows in hoodies and flip-flops sitting in unknown rooms in plasticine.
The Decision-Making and Enchantment of Facebook
Socially clumsy, mechanically wise, and significantly forlorn Harvard sophomore Mark Zuckerberg (Jesse Eisenberg) flashes a social sensation in 2004 when he creates a long-range informal communication site in Facebook after three individual understudies. Hence, he is the theoretical decision-maker. It is a nominal group technique to try and notice the genuine enchantment behind the Facebook story. In interviews given after making the film, Sorkin brags about the problem statement concerning the Internet and Facebook. This resembles a film about the nuclear bomb which never at any point presents that a blast created through nuclear parting is critically unique in relation to a blast produced by explosive. Zuckerberg is a social decision-maker, evident from how he came up with an idea that would benefit others. The historical backdrop of American entrepreneurship is only that history told with various advances on various occasions and places.
