The Role of Popular Media in Determining Criminal Liability of Insanity Defense in Homicidal Crimes

Edgar Allan Poe's "The Tell-Tale Heart" and its Contemporary Significance


Edgar Allan Poe's work, The Tell-Tale Heart, is a morbid narrative where the narrator presents their murderous actions and recuses themselves from madness as the cause of their actions. While Poe's work may have been set in the mid-nineteenth century, its implications resonate with the contemporary society.\u00a0 The ideas of morality, culpability, and accountability of psychopathic murderers to the society are put to the test in the narrative.


The Question of Morality and Culpability


The narrative begins with the narrator indicating that they are not mad and they possess their full mental capacities as evidenced by their abilities to efficiently plan a murder. The narrator asks "Can you not see that I have full control of my mind?" (Poe 1). However, these considerations about the sanity of the narrator poke holes on the question of their morality. If the narrator is sane and is aware of their actions, then their murderous actions are due to gross immorality and disregard for the human life. By indicating how mentally capable they were in planning the death of the old man where they studied the old man for seven days, reveals that the narrator is both immoral and culpable for the murder. Additionally, the immorality of the murder is added weight by the fact that the narrator does not kill the victim due to any wrongdoings but due to the "vulture eye" which they perceive as stalking them.


The Complexities of Criminal Trials and Mental Illness


Poe's work underlines the complexities of criminal trials whose defense is mental illness, especially in the U.S.A. Takahashi notes that Poe presents the issue of madness as relative where "The boundary between sanity and insanity depends on the viewpoint of those who objectify 'mad' people" (p. 8). The effect of this complex situation is a dilemma for the accountability of the society towards the victims and the accused in the pursuit of justice. Poe, through his work, sets the stage where this complicated discussion can occur. How does the society determine when suspects or even convicts can be exempted from punishments due to mental incapacitation or madness? Considering Poe's narrative, questions linger of any mentally-ill people who openly accept they are mad and if madness can lead one to kill.


Societal Accountability in the Justice System


The role played by the police and neighbor in the story illustrates societal accountability in the justice system. The police have a role to play in investigating the truth about homicides and serving justice for the victims. Conversely, the communities represented by the neighbor need to be accountable for the actions and happenings in their vicinity. However, questions have been raised regarding the ability of other members of the society in their different capacities to determine criminal liability of insanity defenses in homicidal crimes. Such concerns are posed to jurors and judges who determine the liabilities of the accused persons and the influence that popular culture has in deciding different cases. Covey (1379) presents those reservations where he indicates "Countless scholars have observed that jurors' preconceptions about mental illness, criminality, and their interplay are almost entirely a product of popular media imagery." Consequently, the society at large is responsible for the differing views on the culpability of people accused of homicide crimes. Representation in the popular media about those conditions that make up insanity defense pre-empt the jurors and judges' decision-making process regarding the relationship between insanity and homicidal crimes. In the trial of the narrator in Poe's' story, societal views presented through popular media will play a significant role in influencing whether the ability to effectively plan a murder excuses the narrator from insanity defense or, whether the view that the old man had a vulture's eye qualifies them as insane.

Works Cited


Covey, Russell D. "Criminal Madness: Cultural Iconography and Insanity." Stanford Law Review, 61(6), 2008, pp. 1375-1428.


Poe, Edgar Allan. The tell-tale heart. Bantam Classics, 2004.


Takahashi, Rumi. "Edgar Allan Poe’s Terror of the Relationship: ‘Madness’ in ‘The Tell-Tale Heart’." Strata 20 (2011): 1-21.

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