The architecture installation concerning the Do Ho Suh’s was an amazing craft that entailed ethereal fabrics. The fabrics used were usually the ones that were familiar as well as propounded in the alien. Such fabrics are well known for contemporary identifications and memorization concerning the global nature. From the Do Ho Suh artist work termed as Almost Home made a clear definition of how artwork is supposed to be presented. It involved installation of the features of the artist in large scale (Thulson 16). Additionally, fabric reactions associated with home formed part and parcel of the artist. They consisted of several drawings as well as semi-transparent household objects replica which were termed as “Specimens.” Furthermore, there were sculptures that incorporated conjoined rooms together with passageways used by the visitors who come to experience whatever happens in the rooms. In essence, the installation of architecture in artwork as seen in Do Ho Suh’s artwork is a significant basis that can be applied in the development of today’s modern houses.
According to my point of view, the work of this artist made a lot of contribution on the acquaintance of the domestic spaces, particularly on luminal one. According to the artwork, the home was both physical reality and idealized. Examination of the identity and home that Suh did in his artwork formed part of the ever-evolving concepts in current society (Thulson 18). It also gave an elaboration of how culture, traditions, displacements as well as migration makes intersects of the formulation of ideas concerning origins and selfhoods. From my observation, the exhibition by the artist was organized particularly on the Sarah Newman contemporary art. Looking at it keenly, it is the newly founded project that entirely depicts museums found within the United States. The evidence of the above information is as follows
Similarly, individuals tend to remember various places where they have collected their souvenirs. They usually take photos and keep them for remembrance of that particular day and place. This is what made the architecture artist compelling in the world as it is in the global society. It is important noting that the Suh’s exhibition which was named as “Almost Home” in reference to today’s Washington D.C, art Museum makes some explorations of the time, memory as well as space in relation to the intimated places that acted as inhabited (Thulson 20). The artwork gave an outline of the places that Suh lived in the connection of the exhibitions. Suh’s work is closely related to another artwork which termed as “The Art of Burning Man” in various ways. The two artworks deploy all forms of the artwork and sculptures. It emphasizes on the building and other types of the sculptures that depict museums and the global spaces (Thulson 23).
In conclusion, the artist requires some technical knowledge that is used in designing the work. In order to capture the attention of various individuals, there is a need to come up with an appealing representation. Diagrammatical representation of the artwork is an essential tool in the designing of the artwork to capture the attention of individuals. All the artwork thus has several standard features such as representation techniques, formats of the arrangement and modes of capturing individuals’ attention. The installation of architecture by Do Ho Suh’s artwork followed all the required techniques of artwork and entirely contributes much modern design and construction of houses.
Work Cited
Thulson, Anne. "Contemporary practice in the elementary classroom: A study of change." Art Education 66.1 (2013): 16-23.
