Mozart's Influence on Music History
Mozart was a prolific composer of the Classical period, and he is one of the most influential figures in music history. Born in Salzburg, Austria, in 1756, he had a relatively short life, but his musical output is colossal. Despite his early death, Mozart wrote more than 800 works in his lifetime.
Beethoven's Influence on Mozart
It is not clear exactly how much influence Beethoven had on Mozart. It is thought that the two men were close friends and were in Vienna at the same time, around 1787. At that time, Mozart was a teenager, and Beethoven was 16. Both of them were considered Mozartian talents and were treated as such when they were young. However, the relationship between the two men may not have been mutual, and it is not clear if they took lessons from each other.
Beethoven's Third Symphony: Eroica
In 1804 Beethoven completed his Third Symphony, considered one of the best pieces in his life. Its prodigious scale, dramatic character and theme make it a landmark in Beethoven's development. Beethoven originally intended to dedicate this work to Napoleon, but changed the title to Eroica and added the words "for the memory of a great man."
Freemasonry's Influence on Mozart
Mozart's opera The Magic Flute is considered one of the great masterpieces of all time. It is not a fairy tale, but it uses symbols to express truths about the human spirit. Its central theme is the perfect union of man and woman. This union is a symbol of harmony in society and can only be achieved through strong character and pure love. Mozart also reflects Freemasonry in this opera. In the late eighteenth century, Freemasonry was considered an unorthodox movement and was fought against by the aristocracy and established religion.
Freemasonry Symbols in Mozart's Operas
Mozart hints at Freemasonry's influence in the composition of many of his operas. He opens the opera in an E flat key signature, with three detached chords. The music is imbued with a mystical atmosphere by using key signatures such as E-flat major. Likewise, the composer's famous March of the Priests features ascending parallel sixths and interrupted cadences. In addition, Mozart uses symbols that are associated with Freemasonry.
Leopold's Opposition to Mozart's Marriage
The reason for Leopold's opposition to Mozart's marriage to Constanze Weber is not entirely clear. Mozart's father, Leopold, was always very protective of his son and rarely let him make his own decisions. However, he did permit his son to marry Constanze in 1782, and the two became one of the most famous couples in the history of music. In fact, the couple had six children.
Family Strain and Mozart's Marriage
The Mozart family relationship with Leopold was strained. Constanze was not an educated woman, and Leopold considered her a common person. Nevertheless, despite Leopold's aversion to marriage, he was very attached to his children and spent a great deal of his energy tutoring them. He also took his son on tours across Europe, where he hoped to promote his musical talents.
Lucio Silla's Influence on Mozart
Lucio Silla is one of Mozart's most significant works. It is a seminal work of classical music that Mozart composed when he was only sixteen. Although it lacks the richness and drama of Mozart's later works, it is nonetheless an affecting work about forgiveness and redemption. The opera is currently being performed by Opera Atelier.
Mozart's Early Operatic Success
This opera is one of Mozart's most famous works, and one of the first operas that the young prodigy performed. The opera, about a tyrannical dictator named Silla, explores the conflicting nature of love and power. It is an opera full of dazzling arias, punctuated by ravishing melodies, and one of his most popular works.
Mozart's Requiem
Mozart's Requiem is a masterpiece of classical music, a masterpiece that bears the composer's name. Composed in 1791, this piece is an extended work that spans several movements. While the composer was a prolific composer, he often struggled with money problems. Despite this, he managed to create some of his greatest works. However, his circumstances would eventually lead him to his death. He died at the young age of 35 from unknown causes. After his untimely death, he was buried in a common grave. It is unknown what happened to the Requiem - it is unfinished.
Mozart's Requiem: Domine Jesu
The first movement, Domine Jesu, begins with fluid vocals and is accompanied by a fast-moving arpeggiated string accompaniment. As it progresses, Mozart's Requiem gradually shifts from B major to B minor, D major to F minor, C minor to E major, and finally ends with a chromatic melody and a G minor dominant.