The Organization of Literary Information
The organization of literary information is one of the crucial aspects of literature that help the authors to develop their plot and the storyline. In Henrik Ibsen's "A Doll's House," the author applies the climax and the denouement to heighten the contexts of his message to the reader with distinctive features. Ideally, numerous differences are evidence in the climax and the denouement as expressed by Henrik.
The Climax
In the climax, a typical forgery occurs in the narration as Nora hops crazily and wildly to keep Torvald off the mail. In this, she stresses on her practices as the vital concern at that moment luring Torvald into the scene away from the mail content and succeeds in her mission, though for a single night. However, the denouement presents an interesting scenario as Torvald gets to the revelation of Nora's furtive. The scene transpires in an ugly exchange as Torvald call his partner names.
Revelation and Characterization
Typically, both sets begin with elements of revelation as we read through the main character's intentions in the story. However, the climax ends with undisclosed secret whereas the denouement exposes a top secret that determines the characterization of every player. In both cases, we learn more about Torvald than we do about Nora. Torvald had top perceptive secrets against Nora that only comes after realizing what Nora had kept from him. One would perceive him as a non-violent individual just to be surprised at his humiliating insult against Nora.
Nora's Situation
Nora's situation comes out uniquely as she learns about the real traits of Torvald. She fails to forgive him on the account that she feels they have never been in a real marriage, in fact, she calls it living in a doll's house. The end marks the beginning of a new dawn for the two in the story comparable to Oedipus' case.
