The renaissance is the revival period of art between the 14th and the 17th Centuries in the European history. Arguably, the period is bridged by the period of enlightenment to modern-day history. Eminent scholars have been attracted to the same subject of research. Notably, the history of the architecture of renaissance especially in France has numerous impacts on the culture. For the most part, several features have made the subject a success in the past as many other forces in the society fight for its sustainability. Therefore, it is crucial to review the dynamics connected to the architecture of the renaissance in France;
Naturalism and its connection to Renaissance leads to a new definition of art.
Scientific and physiological dynamics of Renaissance are undisputed within the environment of the industry.
Politics relating to Renaissance have numerous implications to the art industry.
Annotated Bibliography: Architecture of Renaissance in France
Bizer, Marc. Homer and the politics of authority in Renaissance France. Oxford University Press, 2011.
This article expounds on the significant measures that were taken in the history of Europe to make the definition of art a success. Predominantly, the idea of monarchy brought about by Homer controlled many incentives over art during the renaissance period. The political relationship between countries such as Italy led to a positive growth of the art industry. Moreover, the traditional metaphor of weaving extended to politics in the sixteenth century. The author is an excellent historian and uses comprehensive methodologies thereby enforcing his authority in his work.
Langer, Ullrich. Divine and Poetic Freedom in the Renaissance: Nominalist Theology and Literature in France and Italy. Princeton University Press, 2014.
Subsequently, Ullrich Langer continues to discuss on the renaissance by taking a different perspective on the same subject. The source is stemmed in explaining the freedom of poetry and art existing in the society therein. In the main, ‘normalist theology' and ‘normalism' are connected to the history of the architecture of renaissance in France. As such by emphasizing the freedom that artists have in the form of art triggers the enlightenment of renaissance of art in many countries, it helps the audience comprehend the article better. The is published by the Princeton Publishers, a trusted source of academic materials.
LaGuardia, David. The Sexual Culture of the French Renaissance. 2013: 527-529.
This article aims at addressing the impacts of the period of renaissance on the sexual culture. David LaGuardia develops the subject of the renaissance of the art of sex including mythography and creating a sexual meaning in art. The making of heterosexuality is also an issue discussed in the same line. Lousy poetry in the French Renaissance is outlined to make the research more credible and all-inclusive. Although the effects presented in the book do not reflect the current dynamics, it helps to understand the early impacts the architecture of renaissance in France.
Merriman, John. A history of modern Europe: from the Renaissance to the present. Vol. 1. WW Norton & Company, 2009.
This article targets the people in the field of the art industry as the audience. Merriman John gives a comprehensive study of the history of Europe connected to the Renaissance. From the source, the author has tightened organization more than is the previous edition under the same subject to account for recent research defining the current image of Europe. The author is a talented historian who offers a crafted narrative to students helping them through a vast amount of historical events and integration of aspects of the European experience into a single interconnected unit. The fact enhances his authority in the article. Additionally, it is published by the W. W. Norton and Company, heightening its credibility. The source is essential to my research since it expounds on the matter of renaissance in France from a historical perspective.
Thomson, David. Renaissance Paris: architecture and growth, 1475-1600. Univ of California Press, 1984.
Fundamentally, this article focuses on the people with interest in art especially, architecture. David Thomson takes the audience through the early phases of art during the Renaissance, and the growth over the years, particularly between 1475 and 1600. The visit of King Louis XI led to the birth of architecture in France. The gravitation of the court in his period and the personalities and institutions engineered the current face of Paris. As such, the facts make this source a useful tool for the research.
Zerner, Henri. Renaissance art in France: the invention of classicism, 2009: 61-139.
Henri Zerner focuses on the most significant period in the history of art during the Renaissance period. Arguably, this period expounds on the overestimation of elegance and sophisticated fantasies combined with the Italian decorative style of architecture. The book pointed to the development of Mannerism and laid the framework of French Classicism invention. Additionally, he uses several artists who have benefited from arts including stain-glassed windows, tapestry, and metalwork. The author has used adequate illustrations in his voluminous book to give a comprehensive source of an essay. Thus, it is essential since it targets the aspect of classicism during the Renaissance.
Works Cited
Bizer, Marc. Homer and the politics of authority in Renaissance France. Oxford University Press, 2011. https://books.google.com/books?hl=en&lr=&id=DkNpAgAAQBAJ&oi=fnd&pg=PP1&dq=Homer+and+the+Politics+of+Authority+in+Renaissance+France+By+Marc+Bizer&ots=kwvox792WL&sig=-asguteP_R9uEKapKXz9J4LKr50.
LaGuardia, David. The Sexual Culture of the French Renaissance. 2013: 527-529. https://books.google.co.ke/books?id=z9TU7ZKzANkC&printsec=frontcover&dq=LaGuardia,+David.+%22The+Sexual+Culture+of+the+French+Renaissance.%22&hl=en&sa=X&ved=0ahUKEwiEub7YlavaAhWEOhQKHcVXDdYQ6AEIMDAB#v=onepage&q&f=false.
Langer, Ullrich. Divine and Poetic Freedom in the Renaissance: Nominalist Theology and Literature in France and Italy. Princeton University Press, 2014. https://books.google.com/books?hl=en&lr=&id=yx8ABAAAQBAJ&oi=fnd&pg=PP1&dq=Divine+and+Poetic+Freedom+in+the+Renaissance:+Nominalist+Theology+and+...&ots=sB9eoWyANQ&sig=JhBysgoEoCsfn0-vmZq0PySQrlU.
Merriman, John. A history of modern Europe: from the Renaissance to the present. Vol. 1. WW Norton & Company, 2009. https://books.google.com/books?hl=en&lr=&id=Y1qiDAAAQBAJ&oi=fnd&pg=PR11&dq=Architecture+of+the+Renaissance+in+France&ots=NLgGkHpUB0&sig=BafmeeMGKJ3kvkmkqYMyKdzJIp4.
Thomson, David. Renaissance Paris: architecture and growth, 1475-1600. Univ of California Press, 1984. https://books.google.com/books?hl=en&lr=&id=XCU5Cb-hTmEC&oi=fnd&pg=PA4&dq=Architecture+of+the+Renaissance+in+France&ots=y_ATSR_KQL&sig=TLJTgyt1RxYGutIMvjQ-beqw0_I.
Zerner, Henri. Renaissance art in France: the invention of classicism. 2009: 61-139. https://books.google.co.ke/books/about/Renaissance_Art_in_France.html?id=KD7qAAAAMAAJ&redir_esc=y.
