The Perception and Expression of a Person
The perception and expression of a person reveal who they are. Sherman uses the woman's posture and facial expression as key identification indicators. She carefully examines the highlighted person's attire. Her attire is described as well-organized and distinctive in each position. According to Sherman, the clothing is meant to mirror how things appear in movies, and as a result, the picture suggests that it was taken in the 1960s. Additionally, Sherman claims that the background choice and grayscale hue are aesthetic components of the artwork.Lighting and Facial Expression
Sherman emphasizes the role that different lighting plays in improving the visibility of the woman's face. She also draws attention to the woman's surprised expression. She articulates that the face demonstrates fixed ideas and thus terms it as a depiction of feminism.Photographic Aspects and Composition
Sherman also explores the photographic aspects surrounding the capture. For instance, the capture is taken at an angle, hence making the woman appear closer and of the same height as the buildings. Additionally, the buildings’ illustration seems tilted while the woman leans on it.Photography as a Medium for Expression
Photography’s visual capacity makes it an excellent medium for expressing the mentioned ideas. Similarly, photography is termed as a less pure form of art when compared to painting. A photograph enables artists to easily combine the elements and principles of art to obtain the best captures. Photography also welcomes a variety of users, unlike drawing that is only for the skilled. The use of photographs enhances art scrutiny by reading a variety of signs attributed to cinematography, body language, apparel, period, and locality (Carson & Pajaczkowska, 2016). For this reason, viewers are enabled to relate the work to their personal experiences and views. Besides, photography enhances representation of past events, people, and ideas. Along similar lines, artists can make modifications on photographs to make them appear ancient.Reference
Carson, F., & Pajaczkowska, C. (2016). Feminist visual culture (1st ed.). New York: Routledge.
