Nightmare and Romance: Partnering Place

The Art of Turning Ordinary Settings into Theatres


The piece by Heidi Henderson, in which he interviews Sara Pearson and Patrik Widrig, two choreographic dancers, is fascinating and educational. The two describe what it's like to turn ordinary settings into thrilling theaters, which requires creating artistic works that are unique to the chosen site. From the engagement, it is clear that Sara and Patrik's art of dancing relies heavily on interaction with the audience and the surrounding environment.

Evoke Mystery and Captivate the Audience


Analyzing the discourse, it seems that an experimental artist's most crucial responsibility is to evoke mystery in commonplace settings and occurrences, so piqueing the audience's curiosity and capturing their attention. As Sara observes, the primary aim of any creative work is to gain awareness among a large number of people. Furthermore, Sara notes "These interactions are priceless and importance" (Henderson 42). Consequently, the interactions prove that the assemblage can identify with the work of art and can, therefore, offer their insights and comments. The natural association of a crowd with experimental art showcases its easy accessibility.

The Influence of Audience on Site and Performance


Another opinion drawn from the dialogue is the massive influence of an audience in determining a site and the performance itself. Borrowing from Sara's comments, "Because we've seen incredible sites that could only hold ten people at a time" (Henderson 42). As a result, the performance becomes dynamic and tailor-made to suit a specific audience and place. For example, Sara and Patrik's group had to adopt different movements for the choreography in the Audubon Sanctuary (Henderson 43). The dynamic nature of the Nightmare and Performance works of art invokes love among the observers since human nature is attracted to the mystery of the ordinary. In summary, the article by Heidi invokes love for various experimental works of art that are tailored to specific everyday environment theaters.


Work Cited


Henderson, Heidi. “Nightmare and Romance: Partnering Place, Interview with Sara Pearson and Patrik Widrig.” Contact Quarterly Place Issue, 2005, pp. 40-44.

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