Gothic fiction is a form of literature that explores the darker side of humanity. It is also known as Gothic horror. Gothic novels often feature supernatural elements and melodrama. Mary Shelley’s Frankenstein is an example of early Gothic fiction. It has influenced many modern writers. This article will examine the genre and its influences.
Gothicism’s focus on the darker side of humanity
Gothic fiction is a genre that focuses on the darker side of human nature. It depicts the underbelly of society and the chaos that accompanies it. It often features scenes that are horrifying and shocking, and is often set in a lower class neighborhood. The focus on darkness and the unnatural in Gothic literature reflects the intellectual climate of the time, one that is often turbulent and divided between reason and sanity.
Gothic literature often focuses on repressed desires and dark supernatural forces. Vampires, werewolves, and vampires are often the central characters in Gothic works. The use of these supernatural forces represents a dark side of humanity that is often repressed. The vampires and Frankenstein’s monster are a classic example of this trend in literature.
Some of the most well-known works of Gothic literature include the works of Edgar Allan Poe. Poe was known for blurring the lines between reality and fantasy, and his stories were set during a time of increasing fear of poverty and disease. He was also a master of the macabre and is considered a Gothic icon.
Gothic writers’ use of melodrama to convey a thought
Many Gothic writers used melodrama to convey their thoughts. Poe, for example, used his work to express the horror and dread of death. He used the imagery of death to explore the human psyche and the evils of humankind. His writings have horrified readers for generations. And while many Gothic writers have been linked to Poe, many others have influenced Gothic literature.
Melodrama developed during the nineteenth century, a time when there was a massive change in social structures. The Industrial Revolution had created a new class of people: the middle class and the artisan working class. Traditionally, these classes had lived rather monotonous lives. Both groups needed a boost of excitement. The use of melodrama fueled this desire.
Gothic literature often features a woman who suffers at the hands of a villain. These women often carry a feeling of loneliness and sadness. Often they are held captive in castles, terrorized by noblemen, and portrayed as weak. By exposing their vulnerability to the reader, Gothic writers are appealing to their readers’ pathos. This is particularly evident in Horace Walpole’s Matilda.
Gothic writers’ use of supernatural elements
Gothic writers often use supernatural elements in their fiction to create a sense of unease and fear. They often use ancient mysticism, the supernatural, and occult to create the impression of a world beyond human capabilities. While many of these elements are purely fictional, many are also rooted in real events.
Gothic literature first emerged in the late eighteenth century. It makes extensive use of symbolism and the supernatural to convey the ugliness of human nature. A famous example of gothic literature is Oscar Wilde’s “Picture of Dorian Gray,” which uses the symbolism of its namesake painting to express the horrors of human nature.
Gothic literature is often characterized by bleak themes, supernatural elements, and touches of romance. Many prominent writers have explored the supernatural elements in their fiction, including Edgar Allan Poe, the Bronte sisters, and many others. Because of its history and connection to the past, Gothic literature remains an important source for contemporary fiction writers and avid literary collectors.
Influence of Mary Shelley’s Frankenstein
Frankenstein is an iconic work of Gothic fiction, written by Mary Shelley in 1818. It is considered the first science-fiction novel, but it also has elements of Gothic horror and tragic romance. The novel is a parable that is as relevant today as it was then, with themes such as parental abandonment, overreaching, and societal rejection.
The early nineteenth century was rife with societal anxieties about technology and science. In 1816, Mary Shelley and Lord Byron debated whether or not it was possible to create life from dead things. Shelley also noted ‘galvanism’ in her preface, referring to a scientific experiment by Luigi Galvani in which electric currents were used to ‘create’ legs for frogs. Giovanni Aldini went even further in 1803 by performing the same experiment on a freshly-dead murderer.
Mary Shelley’s Frankenstein demonstrates how Gothic fiction can be a compelling genre for readers. It appeals to readers intellectually, emotionally, and spiritually. It also explores the themes of loneliness, excess emotion, and moral transgression.